{"id":1682,"date":"2025-02-23T13:41:00","date_gmt":"2025-02-23T12:41:00","guid":{"rendered":"https:\/\/povijest.net\/hpp\/?p=1682"},"modified":"2026-08-12T13:46:40","modified_gmt":"2026-08-12T11:46:40","slug":"izlozba-izopacena-umjetnost","status":"publish","type":"post","link":"https:\/\/povijest.net\/hpp\/2025\/izlozba-izopacena-umjetnost\/","title":{"rendered":"Izlo\u017eba &#8220;Izopa\u010dena umjetnost&#8221;"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">U ljeto 1937. godine, nacisti\u010dki re\u017eim u Njema\u010dkoj organizirao je jednu od najupe\u010datljivijih propagandnih izlo\u017ebi 20. stolje\u0107a \u2013 <em>Izlo\u017ebu degenerirane umjetnosti<\/em> (<em>Entartete Kunst<\/em>). Otvorena 19. srpnja u M\u00fcnchenu, u prostorima biv\u0161eg Arheolo\u0161kog instituta, izlo\u017eba je bila dio \u0161ire kulturne ofenzive Tre\u0107ega Reicha usmjerene protiv svega \u0161to je odudaralo od ideala nacisti\u010dke ideologije.<\/p>\n\n\n\n<!--more-->\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"130\" src=\"https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2026\/08\/preporuke-za-gimnazije.jpg\" alt=\"Preporu\u010deni sadr\u017eaj za u\u010denike gimnazije\" class=\"wp-image-976\" srcset=\"https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2026\/08\/preporuke-za-gimnazije.jpg 1024w, https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2026\/08\/preporuke-za-gimnazije-300x38.jpg 300w, https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2026\/08\/preporuke-za-gimnazije-768x98.jpg 768w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Naziv &#8220;degenerirana umjetnost&#8221; koristili su nacisti kako bi diskreditirali moderne umjetni\u010dke pravce poput ekspresionizma, dadaizma, nadrealizma, kubizma i apstrakcije. Smatrali su da su takvi oblici umjetni\u010dkog izra\u017eavanja &#8220;bolesni&#8221;, &#8220;izopa\u010deni&#8221; i \u0161tetni za &#8220;arijevsku du\u0161u&#8221;. Ove stilove povezivali su s &#8220;\u017eidovsko-bolj\u0161evi\u010dkom opasno\u0161\u0107u&#8221;, poku\u0161avaju\u0107i ih predstaviti kao prijetnju njema\u010dkom narodu i tradicionalnim vrijednostima.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"776\" height=\"561\" src=\"https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Goebbels-izlozba.jpg\" alt=\"\" class=\"wp-image-1684\" srcset=\"https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Goebbels-izlozba.jpg 776w, https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Goebbels-izlozba-300x217.jpg 300w, https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Goebbels-izlozba-768x555.jpg 768w\" sizes=\"auto, (max-width: 776px) 100vw, 776px\" \/><figcaption class=\"wp-element-caption\">Nacisti\u010dki ministar propagande Joseph Goebbels na izlo\u017ebi<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Na izlo\u017ebi je bilo prikazano oko 650 radova koji su prethodno bili oduzeti iz njema\u010dkih muzeja. Me\u0111u autorima su bila i neka od najva\u017enijih imena europske moderne umjetnosti, uklju\u010duju\u0107i <strong>Georga Grosza<\/strong>, <strong>Ernsta Ludwiga Kirchnera<\/strong>, <strong>Paula Kleea<\/strong>, <strong>Oskara Kokoschku<\/strong>, <strong>Emila Noldea<\/strong> i druge. Iako su neki od ovih umjetnika bili Nijemci i \u010dak simpatizeri nacizma (kao Nolde), to ih nije spasilo od progona. Njihove slike bile su prikazane na na\u010din koji ih je trebao ismijati \u2013 bez opisa ili s pogrdnim komentarima, ponekad uz visoke cijene koje su trebale pokazati \u201erasipnost\u201d weimarske republike i kulturnih elita.<\/p>\n\n\n\n<figure data-wp-context=\"{&quot;galleryId&quot;:&quot;6abdaa55c5056&quot;}\" data-wp-interactive=\"core\/gallery\" class=\"wp-block-gallery aligncenter has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6abdaa55c54a2&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6abdaa55c54a2\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"679\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1686\" src=\"https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Die_Zwitscher-Maschine_Twittering_Machine.jpg\" alt=\"\" class=\"wp-image-1686\" srcset=\"https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Die_Zwitscher-Maschine_Twittering_Machine.jpg 500w, https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Die_Zwitscher-Maschine_Twittering_Machine-221x300.jpg 221w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Die Zwitscher-Maschine (Paul Klee)<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6abdaa55c5a8a&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6abdaa55c5a8a\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"226\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1687\" src=\"https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Ernst_Ludwig_Kirchner_-_Madchen_mit_Katze_Franzi_-_MB-0032_-_Kunsthaus_Zurich-300x226-1.jpg\" alt=\"\" class=\"wp-image-1687\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">M\u00e4dchen mit Katze (Ernst Ludwig Kirchner)<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6abdaa55c5f7a&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6abdaa55c5f7a\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"266\" height=\"300\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1688\" src=\"https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Sonnenfinsternis-266x300-1.jpg\" alt=\"\" class=\"wp-image-1688\"\/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">Sonnenfinsternis (George Grosz)<\/figcaption><\/figure>\n\n\n\n<figure data-wp-context=\"{&quot;imageId&quot;:&quot;6abdaa55c63de&quot;}\" data-wp-interactive=\"core\/image\" data-wp-key=\"6abdaa55c63de\" class=\"wp-block-image size-full wp-lightbox-container\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"602\" data-wp-class--hide=\"state.isContentHidden\" data-wp-class--show=\"state.isContentVisible\" data-wp-init=\"callbacks.setButtonStyles\" data-wp-on--click=\"actions.showLightbox\" data-wp-on--load=\"callbacks.setButtonStyles\" data-wp-on--pointerdown=\"actions.preloadImage\" data-wp-on--pointerenter=\"actions.preloadImageWithDelay\" data-wp-on--pointerleave=\"actions.cancelPreload\" data-wp-on-window--resize=\"callbacks.setButtonStyles\" data-id=\"1689\" src=\"https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Woman_in_Blue_by_Oskar_Kokoschka_1919.jpg\" alt=\"\" class=\"wp-image-1689\" srcset=\"https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Woman_in_Blue_by_Oskar_Kokoschka_1919.jpg 800w, https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Woman_in_Blue_by_Oskar_Kokoschka_1919-300x226.jpg 300w, https:\/\/povijest.net\/hpp\/wp-content\/uploads\/2025\/02\/Woman_in_Blue_by_Oskar_Kokoschka_1919-768x578.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><button\n\t\t\tclass=\"lightbox-trigger\"\n\t\t\ttype=\"button\"\n\t\t\taria-haspopup=\"dialog\"\n\t\t\tdata-wp-bind--aria-label=\"state.thisImage.triggerButtonAriaLabel\"\n\t\t\tdata-wp-init=\"callbacks.initTriggerButton\"\n\t\t\tdata-wp-on--click=\"actions.showLightbox\"\n\t\t\tdata-wp-style--right=\"state.thisImage.buttonRight\"\n\t\t\tdata-wp-style--top=\"state.thisImage.buttonTop\"\n\t\t>\n\t\t\t<svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"12\" height=\"12\" fill=\"none\" viewBox=\"0 0 12 12\">\n\t\t\t\t<path fill=\"#fff\" d=\"M2 0a2 2 0 0 0-2 2v2h1.5V2a.5.5 0 0 1 .5-.5h2V0H2Zm2 10.5H2a.5.5 0 0 1-.5-.5V8H0v2a2 2 0 0 0 2 2h2v-1.5ZM8 12v-1.5h2a.5.5 0 0 0 .5-.5V8H12v2a2 2 0 0 1-2 2H8Zm2-12a2 2 0 0 1 2 2v2h-1.5V2a.5.5 0 0 0-.5-.5H8V0h2Z\" \/>\n\t\t\t<\/svg>\n\t\t<\/button><figcaption class=\"wp-element-caption\">\u017dena u plavom (Oskar Kokoschka)<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Istovremeno, u neposrednoj blizini odr\u017eavala se <em>Velika njema\u010dka umjetni\u010dka izlo\u017eba<\/em> (<em>Gro\u00dfe Deutsche Kunstausstellung<\/em>) u novoizgra\u0111enom <em>Haus der Deutschen Kunst<\/em> (Ku\u0107a njema\u010dke umjetnosti). Tamo su bili izlo\u017eeni radovi koji su odgovarali nacisti\u010dkom idealu \u2013 klasi\u010dni realizam, motivi seljaka, vojnika, arijevskih obitelji i heroiziranih tjelesa. Time je stvoren jasan kontrast izme\u0111u \u201ezdrave, narodne umjetnosti\u201d i \u201epokvarene, dekadentne umjetnosti\u201d.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Unato\u010d uvredljivom tonu izlo\u017ebe, <em>Entartete Kunst<\/em> privukla je golemu pozornost. Vidjelo ju je vi\u0161e od <strong>dva milijuna posjetitelja<\/strong>, \u0161to ju \u010dini najposje\u0107enijom izlo\u017ebom suvremene umjetnosti u povijesti Njema\u010dke. Reakcije su bile razli\u010dite \u2013 dok su neki prihva\u0107ali slu\u017ebenu interpretaciju, drugi su u ti\u0161ini pokazivali divljenje prema zabranjenim djelima.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ova izlo\u017eba nije bila samo napad na odre\u0111ene umjetnike, nego i izraz poku\u0161aja totalitarnog re\u017eima da u potpunosti kontrolira kulturu, estetiku i slobodu izra\u017eavanja. Pokazala je kako se umjetnost mo\u017ee zloupotrijebiti u politi\u010dke svrhe te koliko je va\u017ena u oblikovanju kolektivnog identiteta. Pitanja koja ostaju aktualna i danas glase: <em>Tko odlu\u010duje \u0161to je umjetnost? Mo\u017ee li vlast odre\u0111ivati \u0161to je &#8220;prihvatljivo&#8221;? \u0160to se doga\u0111a kad dr\u017eava kontrolira kulturu?<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Pitanja za analizu<\/h2>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Kada i gdje je otvorena izlo\u017eba <em>Entartete Kunst<\/em>?<\/li>\n\n\n\n<li>Koji je bio glavni cilj nacisti\u010dke izlo\u017ebe degenerirane umjetnosti?<\/li>\n\n\n\n<li>Po \u010demu se razlikovala izlo\u017eba <em>Entartete Kunst<\/em> od <em>Velike njema\u010dke umjetni\u010dke izlo\u017ebe<\/em> odr\u017eane istovremeno?<\/li>\n\n\n\n<li>Za\u0161to su nacisti modernu umjetnost smatrali \u201edegeneriranom\u201c? Na temelju kojih kriterija su odre\u0111ivali \u0161to je \u201eprihvatljivo\u201c, a \u0161to ne?<\/li>\n\n\n\n<li>Koju su ulogu imali pogrdni komentari i na\u010din izlaganja umjetnina na samoj izlo\u017ebi?<\/li>\n\n\n\n<li>Kako izlo\u017eba Entartete Kunst odra\u017eava \u0161iru nacisti\u010dku ideologiju o \u201e\u010distoj umjetnosti\u201c i \u201erasnoj \u010disto\u0107i\u201c?<\/li>\n\n\n\n<li>Neki od zabranjenih umjetnika, poput Emila Noldea, podr\u017eavali su nacizam. Kako obja\u0161njava\u0161 njihovu zabranu unato\u010d toj potpori?<\/li>\n\n\n\n<li>Mo\u017ee li se umjetnost danas smatrati \u201eneprihvatljivom\u201c ili opasnom? Ima\u0161 li primjer iz suvremenog dru\u0161tva gdje je umjetnost cenzurirana?<\/li>\n\n\n\n<li>Tko danas odlu\u010duje o tome \u0161to se izla\u017ee u muzejima i galerijama? Postoji li rizik politi\u010dkog ili ideolo\u0161kog utjecaja?<\/li>\n\n\n\n<li>Za\u0161to je va\u017eno kriti\u010dki promatrati umjetnost u kontekstu vremena i politi\u010dkih okolnosti u kojima je nastala?<\/li>\n\n\n\n<li>\u0160to nam pri\u010da o izlo\u017ebi govori o ulozi umjetnosti u o\u010duvanju ili ugro\u017eavanju demokracije i ljudskih prava?<\/li>\n\n\n\n<li>Kako se mo\u017eemo boriti protiv poku\u0161aja politi\u010dke kontrole nad kulturom i umjetno\u0161\u0107u?<\/li>\n\n\n\n<li>Na koji na\u010din bi se danas mogla postaviti izlo\u017eba koja kritizira nacisti\u010dku kulturnu politiku, a da istovremeno ne vrije\u0111a \u017ertve tog re\u017eima?<\/li>\n<\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">Za razmi\u0161ljanje<\/h2>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\" style=\"border-radius:5px;border-top-color:var(--wp--preset--color--vivid-purple);border-top-width:2px;border-right-color:var(--wp--preset--color--vivid-red);border-right-width:2px;border-bottom-color:var(--wp--preset--color--vivid-green-cyan);border-bottom-width:2px;border-left-color:var(--wp--preset--color--pale-pink);border-left-width:2px;padding-top:var(--wp--preset--spacing--30);padding-right:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30);padding-left:var(--wp--preset--spacing--30)\">Istra\u017ei jednog od umjetnika \u010dija su djela bila prikazana na izlo\u017ebi <em>Entartete Kunst<\/em>. Kako se njegov rad promijenio nakon 1937. godine? Je li nastavio stvarati? Kako su mu djela do\u010dekana nakon Drugog svjetskog rata?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>U ljeto 1937. godine, nacisti\u010dki re\u017eim u Njema\u010dkoj organizirao je jednu od najupe\u010datljivijih propagandnih izlo\u017ebi 20. stolje\u0107a \u2013 Izlo\u017ebu degenerirane umjetnosti (Entartete Kunst). Otvorena 19. srpnja u M\u00fcnchenu, u prostorima biv\u0161eg Arheolo\u0161kog instituta, izlo\u017eba je bila dio \u0161ire kulturne ofenzive Tre\u0107ega Reicha usmjerene protiv svega \u0161to je odudaralo od ideala nacisti\u010dke ideologije.<\/p>\n","protected":false},"author":1,"featured_media":1685,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,32],"tags":[201,164,414],"class_list":["post-1682","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gimna","category-kulturna-povijest","tag-gimna4","tag-nacizam","tag-totalitarizam"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/posts\/1682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/comments?post=1682"}],"version-history":[{"count":2,"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/posts\/1682\/revisions"}],"predecessor-version":[{"id":1690,"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/posts\/1682\/revisions\/1690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/media\/1685"}],"wp:attachment":[{"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/media?parent=1682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/categories?post=1682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/povijest.net\/hpp\/wp-json\/wp\/v2\/tags?post=1682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}